Huron, OH

Belfast, Northern Ireland

Belfast, Northern Ireland

Miami, FL

Portland, OR

New York, NY

Lianzhou, China

Silver Spring, MD

Washington, DC

New York, NY

Wilmington, NC

Orléans, France

Doylestown, PA

East Hampton, NY

Philadelphia, PA

Cincinnati, OH

Lamoni, IA

New York, NY

New York, NY

Pittsburgh, PA

Daytona Beach, FL

New York, NY

Kingston, RI

Miami, FL

Boston, MA

Houston, TX

Philadelphia, PA

Beverly, MA

Santa Fe, NM

Chicago, IL

Indianapolis, IN

Orlando, FL

Murfreesboro, TN

Middle Tennesee State University

Brooklyn, NY

Buffalo, NY

Insite Gallery

New York, NY

511 Gallery

Baldwin City, KS

Dresden, Germany

Pasadena, CA

Belfast, Northern Ireland

La Jolla, CA

Los Angeles, LA

New York, NY

Bedford, UK

Waltham, MA

New York, NY

East Lansing, MI

Athens, Greece

Philadelphia, PA

Chicago, IL

Rochester, NY

New York, NY

San Antonio, TX

New York, NY

Houston, TX

New York, NY

Durham, NC

Pomona, NJ

Dallas, TX

Oklahoma City, OK

Memphis, TN

Denver, CO

Jersey City, NJ

Kingston, RI

Los Angeles

New York, NY

Chicago, IL

Leeuwarden, The Netherlands

Bethesda, MD

New York, NY

Chicago, IL

Las Vegas, NV

Oswego, NY

Coral Gables, FL

Philadelpia, PA

New York, NY

Brooklyn, NY

Pittsburgh, PA

New York, NY

New York, NY

Sherman, TX

Las Vegas, NV

Woodstock, NY

Easton, MA

Philadelphia, PA

Kim Ellen Kauffman: Florilegium: Cameraless, Filmless Images
Feb. 26 - April 4, 2007

There are many inspired artists creating brilliant work focused on the human condition. Barry Lopez makes an important point when he says, “Increasingly our culture is shaped by culture and not by landscape, so that our culture, spinning at an ever increasing rate, increasingly refers only to itself.” In our urban modern culture, full of self-reference, perhaps we need more images of nature in our every day lives in order to live more conscientiously in the natural world. I make these images not only to revel in the beauty of my subjects but because I wish to help create a balance - equipoise - with my images of the botanical world.

Little Gallery - Firelands College BGSU, One University Drive, Huron OH 44839
419/433-5560, www.firelands.bsu.edu/arts/littlegallery

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Work from the ‘Tales of a City – Delhi’ and ‘Homelands’ series by Sunil Gupta

Feb. 16 – March 23, 2007
Opening: Feb. 15

Belfast Exposed Photography, 23 Donegall Street, Belfast BT1 2FF, Northern Ireland, +44 028 90230965
www.belfastexposed.org, info@belfastexposed.org

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Nicky Bird: Question For Seller
Dec. 8, 2006 - Feb. 2, 2007

Nicky Bird is interested in the contemporary status and relevance of ‘found’ photographs.  She collects family photographs through the Internet marketplace of eBay.  She buys photographs that no-one else bids for, with the connotation that they are unwanted and therefore of no significant value. Bird approaches the seller with a question: How did you come across the photos and what, if anything, do you know about them?  Their replies, however brief, are as important as the photographs they are selling. Sometimes they allude to part of a discarded family history, or to everyday life where commonplace photographs of unidentified portraits have long since lost their original meaning. The show aims to explore the commercial expanse of eBay as a context for viewing intimate family photos, and to find out what happens when ‘worthless’ family photographs re-enter the market as art, in the form of an artist’s book; family album.

Belfast Exposed Photography, 23 Donegall Street, Belfast BT1 2FF, Northern Ireland, +44 028 90230965
www.belfastexposed.org, info@belfastexposed.org

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Rituals. Perceptions and Visualizations
Dec. 7 - Dec. 31, 2006

Group exhibition with John Beetle, Loriel Beltran, Alejandro Contreras, John Cox, Deborah Jack, Rodney Jackson, Pedrag Pajdic, Teri Richardson, Elyce Semenec, Natalia Vazquez and Rachel Wilberforce

Diaspora Vibe Gallery, 3938 North Miami Ave, Miami, FL 33136, 305/573-4046, www.diasporavibe.com

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Christopher Rauschenberg
Dec. 7 - Dec. 30, 2006

Nine Gallery, 1231 NW Hoyt St, Portland, OR
225-0210, www.christopherrauschenberg.com

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Builder Levy: Builder Levy, Photographer
Dec. 5 - 30, 2006

Builder Levy, Photographer, features work that spans a persiod of more than forty years. It includes images from Levy's projects on New York City, the Appalachian coalfields, Mongolia, Cuba, and the demonstrations for civil rights and peace in the 1960's and the new millennium. The show is curated by gallery owner/dealer, June Bateman. Levy has shown in more than 170 exhibitions worldwide, including more than 40 one-person shows. His work is included in the Metropolitan Museum of Art, the International Center of Photography and La Bibliotheque Nationale.

Openning Reception: Tuesday, December 5, 2006, 6-8pm

Soho Photo, 15 White St., New York, NY 10013
212/226-8571, www.sohophoto.com

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Lianzhou International Photography Festival 2006
The Inhabitants – Die Einwohner. Photographs by Fredrik Marsh
Dec. 5 - 20, 2006

Lianzhou International Photography Festival 2006, Between the Observer and the Observed
Lianzhou, Guangdong Province, People's Republic of China, www.lipf.cn

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AGING by Gail Rebhan
Dec. 2, 2006 - Jan. 14, 2007

A critical graphic portrayal of the mental and physical deterioration that often accompanies the end of life.

Pyramid Atlantic Art Center, 8230 Georgia Avenue, Silver Spring, MD 20910, www.pyramidatlanticartcenter.org

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DOCUMENTED: The Community Blackboard
Nov. 30, 2006 - Jan. 06, 2007

A site-specific, community-based space for dialogue beyond borders, for the preservation and recovery of memory through family photos and documents...

Breaking Borders/Rompiendo Fronteras

an exhibition of photography and digital art by the Salvadoran community


Art Museum of the Americas, Organization of American States, 201 18th Street, NW – Washington, DC, (202) 458-6020

http://www.museum.oas.org/exhibitions/museum_exhibitions/breaking%20borders/blackboard.html
http://www.museum.oas.org/exhibitions.html
http://www.murielhasbun.com

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Gail Albert Halaban: This Stage of Motherhood
Nov. 30, 2006 - Jan. 6, 2007

Gail Albert Halaban photographs communities of mothers. Like an anthropologist, she portrays the private lives of these women as they journey from single life through motherhood. At first glance, they seem to have everything--education, elegance, wealth and family. Yet for these women, such advantages are not without conflict. They must weigh having children with the desire to maintain an identity as it was prior to entering this stage of motherhood. Gail Albert Halaban's satiric yet compassionate images illuminate their struggle to balance their children's need for an emotionally available mother with their own inclination to hold onto the independence of youth.

Although the photographs in This Stage of Motherhood seem to ebe spontaneously captured, they are in fact intricate tableauz created by the artist within the homes of hte women she photographs. This theatricality grants Gail Albert Halaban access to the emotional lives of her subjects.

Opening Reception: Thursday, November 30th 6-8pm
Press Interview: Thursday, November 30th 10am-12pm

Robert Mann Gallery, 210 Eleventh Ave, New York, NY 10001
212/989-7600, www.robertmann.com

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Wilmington, NC

Mark Taylor: 30 Odd Years
Nov. 24 - Dec. 22, 2006

Small Space Gallery, Wilmington, NC 28404, 910/763-2662, www.thesmallspace.com

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Orléans, France

El Maghreb: Photographies et textes de Malik Nejmi
Nov. 21, 2006 - Jan. 14, 2007

Musée des Beaux-Arts d'Orléans, place Sainte-Croix, 1, rue Fernand Rabier, 45000 Orléans, France

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Constructions: Photographs by Michael Becotte
Nov. 18, 2006 - March 18, 2007

Constructions is sponsored by Mary Lou and Andrew Abruzzese, The Pineville Tavern.

This exhibition features more than a dozen large-scale photographs. Although Becotte made his reputation as a traditional photographer, he has become a master of digital photography in recent years, creating images constructed from family heirlooms as well as random objects retrieved from flea markets, abandoned buildings, and dumps. Over the past ten years Becotte has collected an extensive inventory of props and environmental material. The gathering of these items is a key part of his creative process. He arranges and photographs these objects as a way of exploring his memories and fantasies of family and childhood, and delves into such issues as daydreams, gender, fear, isolation, decay, and mortality.

To view or download high-resolution images from this exhibition, please visit our online press room at www.michenerartmuseum.org/press/. The username is “media” and password is “impress5.”

The James A. Michener Art Museum, 138 South Pine Street, Doylestown, and at 500 Union Square Drive in New Hope.
215/340-9800, www.michenerartmuseum.org

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El Maghreb: Photographies et textes de Malik Nejmi
Nov. 21, 2006 - Jan. 14, 2007

Musée des Beaux-Arts d'Orléans, place Sainte-Croix, 1, rue Fernand Rabier, 45000 Orléans, France

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OUR TOWN TODAY: CONTEMPORARY VISIONS OF EAST HAMPTON BY EAST END PHOTOGRAPHERS
Nov. 18, 2006 - Jan. 7, 2007

To complement the past, Guild Hall Curator Christina Strassfield chose to profile the work of present day East End photographers in the exhibition, Our Town Today: Contemporary Visions of East Hampton. Contemporary visual images of East Hampton today will be exhibited by noted Hampton photographers: Richard Avedon, Ann Chwatsky, Elliott Erwitt, Robert Giard, Ralph Gibson, Gerry Gilberti, Michael Knigin, Doug Kuntz, Fred W. McDarrah, Ken Robbins, Walter Schwab, Kathryn Szoka, Tom Steele and Bruce Weber.

Works will include both black-and-white and color prints depicting a variety of imagery ranging from definitive landscapes and portraits to works with atmospheric details and ethereally composed landscapes. Each artist will be represented by several pieces that capture "a moment in time" documenting
Our Town today and the artists' individual vision of the East End.

Guild Hall, 158 Main St., East Hampton, NY 11937, 631/324-0806, www.guildhall.org

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Donald E. Camp: Dust Shaped Hearts
Nov. 17, 2006 - Jan. 13, 2007

Gallery 339, 339 S. 21st Street, Philadelphia, PA 19103
215/731-1530, www.gallery339.com

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Mary Magsamen & Stephan Hillerbrand: "She said, He said"
Nov. 17 - Dec. 15, 2006

Artist Lecture: Friday, November 17, 5:30-6:30pm, Art Academy Lecture Hall

Opening Reception: November 17, 6:30-9:30pm
Gallery Hours: Mon-Frid 9am-9pm, Sat & Sun 9am-5pm

Pearlman Gallery at the Art Academy of Cincinnati, 1212 Jackson St (between Walnut & Vine Streets), Cincinnati, OH
513/562-6262, www.artacademy.edu

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Nate Larson: Stories
Nov. 17 - Dec. 8, 2006

"In a time of insurgent war in the Middle East, global terrorist attacks, weapons of mass destruction, homeland security, and general political unrest, I have become increasingly anxious about the future. An acquaintance in St. Louis traded me an unsual bit of what I thought to be 1950's American memorabilia. Researching it on the internet, the product description reads 'simply remove the towlette from the foil packet, scrub hands thoroughly and wash the contamination away with running water.' The towelettes appear to still be in production today. I wonder if this is what would save us."

Constance Gallery, The Helene Center for the Visual Arts, 1 University Pl, Lamoni, IA 50140, 641/784-5049, www.natelarson.com

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Charles H. Traub: Indecent Exposure. Photographs from 1980 - 1982
Nov. 16, 2006 - Jan. 6, 2007

Daniel Cooney Fine Art is proud to present an exhibition of vintage color photographs from 1980 – 1982 by Charles H. Traub (b. 1945). This series, early color work of the photographer, began with an ad that was placed in a local paper calling for nude models. Those who responded, mostly women, did so with a variety of motives, from the need for money to exhibitionism. Traub was interested in making images that were not typical of the stylized photographic female nudes of the time. His models reveal a variety of emotions and project as many attitudes.

Daniel Cooney Fine Art, 511 West 25th Street, #506, New York, NY 10001, 212/255-8158
www.danielcooneyfineart.com

An exhibition of Traub’s vintage black and white work from the mid 1970’s is on view at Gitterman Gallery until December 2. The gallery is located at 170 East 75th Street. For more information please contact Gitterman Gallery at 212-734-0868.

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Dave Anderson: Rough Beauty
Nov. 16 - Dec. 16, 2006

The exhibition coincides with the release of the artist's monograph of the same title from Dewi Lewis Publishing, Hardcover, 120 pages, $40.

"Anderson has created intense, emotion-laden portraits
that evoke comparisons with legendary photographers
like Diane Arbus and Dorothea Lange."
-Manfred Zollner, fotoMAGAZIN

Clamp Art, 521-531 W 25th St, Ground Floor, NYC 10001
646/230-0020, www.clampart.com

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Howard Henry Chen: Multiple Entry Visa: To Vietnam and Back Fellowship 2006
Nov. 15, 2006 - Feb. 10, 2007

Multiple Entry Visa: To Vietnam and Back focuses on globalism and the tourism boom in a country that has been a battlefield for a hundred years, Additionally, ten photographers have been selected as Honorable Mention Photographers by Rod Slemmons, this year’s Juror. Admission is free.

Silver Eye Center for Photography, 1015 East Carson St., Pittsburgh, PA 15203
412-431-1810, www.silvereye.org

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Douglas McCulloh, Jacque Garnier: On the Beach: Chance Portraits From Two Shores
Nov. 15, 2006 - Jan. 19, 2007

"The ocean's edge is a place of freedom and desire, a place to stare and to strut, to see and to be seen. Beaches are half display, half voyeurism. This is the precise terrain of photography--one side posing, the other looking. Cameras belong on the beach." --Douglas McCulloh

"The portraits of On Beach are fast, aggressive, and chaotic. Through rigorous framing, energetic cropping and spontaneous interaction, an almost surrealistic dialogue commences..the ideal moment with these beach portraits arises from a spontaneous ballet between teh models who are freee to do as they wish and the photographer who is looking of a moment of magic." --Jacques Garnier

"The beach eliminates conceits, concealment, and clothing. It removes everyday roles, stances and status. The beach is a set of subtractions. When you cross onto the sand you become a little naked." --Douglas McCulloh

The real life characters photographed for this exhibition reveal the rich diversity and color of the beach as a social and cultural pageant. Florida's beaches are a magnet, not only for the local population, but for the millions who visit Florida each year. This exhibition features images made of the last 2 years on Florida's beaches, combined with a campanion series made on the beaches of Southern California.

On the Beach rises from a powerful straighforward idea--go to beaches and capture a chance sample of beachgoers. The idea of sampling drives the project. In the words of artist Sol LeWitt, "the idea becomes a machine that makes the art."

Southeast Museum of Photography, Daytona Beach Community College, 1200 International Speedway Blvd, Daytona Beach, FL
386/506-4475, www.smponline.org

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En Foco’s Touring Gallery presents

Julia Cowing: Series. 2 Generation, 1 American
Nov. 13 to Jan. 12, 2007

Location: Vantage Point Gallery
A Partnership between the International Center of Photography and The Point CDC
940 Garrison Ave, Bronx New York 10474
718-542-4139, www.thepoint.org, www.enfoco.org

Directions: #6 Train to Hunts Point Avenue, Walk under the Bruckner, Right at the light onto Garrison

En Foco is a non-profit organization that nurtures and supports contemporary photgraphers of African, Asian, Latino, Native American and Pacific Islander heritage. Founded in 1974, it ahieves its mission by introducing its artists to a national audience while facilitating the access of their work to local comunities, and creating a cultural synergy with curators and arts profressionals.

1738 Hone Avenue, Bronx, NY 10461, 718.584.7718, info@enfoco.org, www.enfoco.org

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Janet L. Pritchard: Dwelling. Expressions of Time
Nov. 9 - Dec. 10, 2006

Artist's Talk: November 15, 4pm, Fine Arts Center Room F208

Photography Gallery, Fine Arts Center Galleries, University of Rhode Island, 105 Upper College Rd-Suite I, Kingston, RI 02881-0820, www.uri.edu/artgalleries

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Kelly Flynn: Superman Forever
Nov. 7 - Dec. 2, 2006

Chelsea Galleria, 2441 NW 2nd Ave, Miami, FL, 305/576-2950, www.kellyflynnphotography.com

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Various: PRC/POV: Photography Now and the Next 30 Years
11/03/2006 - 01/28/2007

In honor of our 30th Anniversary, the PRC presents an exhibition featuring new and novel ideas in photography and related media. Nominated by past and present PRC staff, board, and luminaries, this unique exhibition highlights 30 people, places, and things that will make a contribution to photography’s next 30 years. The PRC has always been at the forefront of emerging ideas, and we invite you to enjoy this innovative and interactive space that is dedicated to future-focused work.

Founded in 1976, the Photographic Resource Center is an independent non-profit organization dedicated to photographic education and presentation. Operating from the campus of Boston University, it provides a highly acclaimed exhibition program of 5-6 exhibitions per year, a bi-monthly newsletter, lectures, workshops, special events, and a 4,000-volume resource library for our members and the general public. For more information, visit our website at http://www.prcboston.org

The Photographic Resource Center, 832 Commonwealth Avenue, Boston, MA 02215
617-975-0600, http://www.prcboston.org

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Lisa Robinson: Snowbound
Nov. 3 - Dec. 16, 2006

Serene and minimalist photographic landscapes that offer the viewer an escape from the noise of the modern world, in which a simple backyard shed in a snow drift can become an object of beauty.

Sol Mednick Gallery, The University of the Arts, 211 S Broad Street, 15th floor, Philadelphia, PA, 215/717-6300

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Silver: 25th HCP Anniversary Retrospective Exhibition
Nov. 3 – Dec. 17, 2006

Featuring over 60 works by distinguished artists including Karl Baden, Amy Blakemore, Gay Block, Sian Bonnell, Peter Brown, Dan Burkholder, Harry Callahan, Keith Carter, f+d cartier, Adrain Chesser, William Clift, Patsy Cravens, Gregory Crewdson, David Crossley, Carol Crow, Brita & Peter D'Agnostino, Rick Dingus, Dornith Doherty, John Dugdale, Susan Dunkerley, Laurie Evans, Steve Fitch, Robert Flynt, Bennie Flores Ansell,Sally Gall, Frank Gohlke, Joy Gregory, Mary Margaret Hansen, Paul Hester, Earlie Hudnall, Jr., Misty Keasler, Michael Kenna, George Krause, Din Q. Lê, O. Rufus Lovett, MANUAL, Will Michels, Richard Misrach, Osamu James Nakagawa, Warren Neidich, Beaumont Newhall, Nic Nicosia, Morten Nilsson, Anne Noggle, Lorie Novak, Michael Nye, Eugene Richards, Sebastião Salgado, Chuck Samuels, Bastienne Schmidt, Aaron Siskind, Sage Sohier, Ann Stautberg, Maggie Taylor, Jerry Uelsmann, Gus Van Sant, Frank Yamrus, Wendy Watriss, William Wegman, Joel-Peter Witkin, and more.

HCP’s 25th Anniversary Retrospective, Silver, draws together a strong collection of work by some of today’s most revered photographers and video artists who have previously shown at HCP. The exhibition also includes an unusual large-scale visual timeline, depicting the organization’s entire exhibition history and milestones. The fall 2006 issue of HCP’s critical journal on photography, SPOT, is a unique catalogue of the exhibition, where select Silver artists curate their own pages.

Houston Center for Photography, 1441 West Alabama, Houston, TX 77006-4103
713-529-4755, www.hcponline.org

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Surendra Lawoti: Juxtapositions. New Photographs
Oct. 30 - Nov. 30, 2006

Montserrat College of Art, Carol Schlosberg Alumni Gallery, 23 Essex St, Beverly, MA
www.montserrat.edu

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Maggie Taylor: Almost Alice. Landscape of Dreams
Oct. 27, 2006 - Jan. 13, 2007

Verve Gallery of Photography, 219 East Marcy Street, Santa Fe, NM 87501
505.982.5009, info@vervefinearts.com, www.santafephotogallery.com

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An-My Lê: Small Wars
Oct. 27, 2006 - Jan. 6, 2007

Curator's Talk: Karen Irvine
Tuesday, December 5, 2006, Noon at the Museum

Discussion & Reception: Presented in conjunction with the Chicago Council on Global Affairs
Young Professionals Program, Wednesday, December 6, 2006

Reservations Required
$20, $15 MoCP and CCGA members
Please contact Michal Raz-Russo at: mraz-russo@colum.edu

Museum of Contemporary Photography, 600 S. Michigan Ave., Chicago, IL 60605
312/663-5554, www.mocp.org

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Ruth Adams, Frank Burton, Alison Carey, Tarrah Krajnak and T. A. Trombley: Technology of Meaning
October 27 - November 26

Public opening Friday, October 27, 5:00 - 8:00 pm
Lecture by Photographer Ruth Adams, 6pm, Basile Auditorium

This exhibit examines the work of five contemporary artists - Ruth Adams, Frank Burton, Alison Carey, Tarrah Krajnak and T. A. Trombley. Each uses photographic technologies to produce some degree of meaning in their work. All of the artists included push the bounds of technology, and share a belief that photography's meaning is both hidden within and revealed by the technologies they employ to create their art.

Herron Gallery/Herron School of Art 735 West New York Street, Indianapolis, IN 46202, Herron School of Art and Design
(317) 278.9419, http://www.herron.iupui.edu/new_web/galleries/current_show.html

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Chuck Close, Sally Mann, Christopher Bucklow, Adam Fuss, Jerry Spagnoli among others: Out of Darkness: THe Contemporary Revivial of Early Photography
10/26/06 - 12/7/06

While digital photography technology improves at an exponential rate, a group of well-known contemporary artists are looking to the techniques of photography’s dawn for inspiration. Out of Darkness: The Contemporary Revival of Early Photography, brings together the work of 11 cutting edge photographers who are working with archaic media—Chuck Close, Sally Mann, Jerry Spangnoli and Abelardo Morell among them. The evolution of digital technology is the latest development in an ever-advancing continuum of photographic processes that began over a hundred and fifty years ago. Contemporary photographers now have access to nearly instantaneous image capture and reproduction. The tools and speed of digital photography reflect a culture that demands immediate gratification and instant access.

University of Central Florida, Visual Arts Building, University of Central Florida, Orlando
407/823-6470, http://www.art.ucf.edu/main.php?URL=galleryinfo

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Keith Johnson: Road Work
Oct. 23 - Dec. 08, 2006

Baldwin Photographic Gallery, Middle Tennessee State University, Murfreesboro, TN 37132
www.keithjohnsonphotographs.com

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Annie Leibovitz: A Photographer's Life, 1990-2005
Oct. 20, 2006 - Jan. 21, 2007

Press Preview October 19, 10 am-1 pm

Annie Leibovitz: A Photographer’s Life, 1990-2005, an exhibition of more than 100 photographs, will debut at the Brooklyn Museum, where it will be on view from October 20, 2006 through January 21, 2007, prior to an international tour. Charlotta Kotik, John and Barbara Vogelstein Curator of Contemporary Art, is curator of the exhibition.

Tour Schedule with tentative dates:
Brooklyn Museum October 20, 2006-January 21, 2007
San Diego Museum of Art, San Diego February 10-April 22, 2007
High Museum of Art, Atlanta May 12-September 9, 2007
Corcoran Gallery, Washington, D.C. October 13, 2007-January 13, 2008
Fine Arts Museum of San Francisco, Legion of Honor February 9-May 11, 2008
Musée Européenne de la Photographie, Paris June-September 2008
National Portrait Gallery, London October, 2008-January 2009
Additional venues to be announced.

Brooklyn Museum, 200 Eastern Parkway, Brooklyn NY 11238-6052
Press Contact: 718/501-6330 or sally.williams@brooklynmuseum.org
http://www.brooklynmuseum.org

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Dennis DeHart: Ambit Verdure (In the Realm of the Green)
Oct. 20 - Nov. 27, 2006

Insite Gallery, 810 Elmwood Ave, Buffalo, NY 14222
716/884-9410

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Allison Hunter: Simply Stunning
Oct. 19 - Nov. 25, 2006

511 Gallery, 529 W 20th St, NYC 10011, 212/255-2885, www.511gallery.com

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Christa Kreeger Bowden, John Paul Caponigro, Gary S. Colby, Maggie Taylor, Ambler Hutchinson, Eric Kunsman, Nate Larson, Stephen Marc, Susana Reisman, Trish Simonite, Rhona Shand( artist and curator): Binary Articulations

October 17, 2006 - November 18, 2006

Binary Articulations is a celebration of contemporary artists that have mastered, transformed and turned to their advantage the influence of technology on their inner visions. This exhibition is about the digital medium, but it is also an exhibition that explores the boundaries or binaries of the artists involved. The similarities in process, medium or format help to accentuate the identity, ideas and background. It can be thought of an interaction of artists work. The exhibition features landscapes, collage, and "Scanner Obscura" images, among the 80-plus images represented.

Binary Articulation has recently exhibited at George A. Spiva Center for the Arts (Joplin, MO) and Pittsburg State University (Pittsburg, KS). To enquire about bring Binary Articulations to your venue or becoming an exhibition sponsor, please contact Rhona Shand (curator).

Russell/ Holt Gallery, Baker University, Baldwin City, KS 66006, 620.235.4300

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Wahr-Zeichen-Fotographie und Wissenschaft
Richard Gray, et al

Oct. 14, 2006 - Feb. 17, 2007

The exhibition is a collaborative project by the Technical Collections at the Dresden Museum and the Technische Universität Dresden. It will remain on view through Feb. 17, 2007. Altana Gallery, http://www.altana-galerie-dresden.de/

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The Collectible Moment: Photographs in the Norton Simon Museum
Oct. 13, 2006 - Feb. 26, 2007

The Norton Simon Museum presents The Collectible Moment, a first-ever survey
of the Museum’s photography collection, which was assembled by its predecessor institution the
Pasadena Art Museum. Featuring 163 photographs by 104 artists along with ephemera from the
Museum archives, The Collectible Moment is the largest and most extensive photography
exhibition in the Museum’s history. The exhibition opens October 13, 2006 and remains on view
through February 26, 2007. A major publication and a series of public programs will accompany
the exhibition.

Norton Simon Museum, 411 W Colorado Blvd, Pasadena, CA, www.nortonsimon.org

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Tanya Marcuse: Undergarments and Armour
Oct. 13 - Dec. 1, 2006

With the support of a Guggenheim Fellowship, Tanya Marcuse has travelled to archives and museums in the U.S. and England photographing undergarments, armor, and the museum forms that populate the storerooms—objects like breastplates, helmets, corsets, bustles, mannequins and dress forms.  The earliest objects date to the 14th century while no object is dated past 1900, ruling out the possibility of a living owner.  Marcuse sees these garments and suits of armor as sculptures of the body that, like a carapace, outlast their wearers.  These personal effects adorned, constricted and protected the body all at once.  Now they are archived as artistic and cultural artefacts, shells of the bodies that once inhabited them. The project extends her long-standing interest in sculpture and the body, presence and absence.  

Belfast Exposed Photography, 23 Donegall Street, Belfast BT1 2FF, Northern Ireland, +44 028 90230965
www.belfastexposed.org, info@belfastexposed.org

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Edward Sturr: The Infantry Series, 1961-1963
William Laven: War Models

Oct. 13 - Nov. 11, 2006

Joseph Bellows Gallery, 7661 Girard Ave, La Jolla, CA 92037, 858/456-5620, www.josephbellows.com

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Sant Khalsa's photographs will be shown with works by artists, Simon Norfolk, Anne Fishbein, Nic Nicosia, Vincent Cianni, and Andrew Freeman in the exhibition, "Long Exposures: Contemporary Photo Essays from the Permanent Collection" at the Los Angeles County Museum of Art from October 12, 2006 – January 7, 2007. The exhibition explores varying themes of humanistic or environmental conversion, transition, and upheaval, and reflects a varied range of conceptual, formal, and technical approaches prominent in the genre from the 1990's to the present.

Los Angeles County Museum, Los Angeles, CA

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Jill Greenberg: Monkey Portraits
Oct. 12 – Nov. 11, 2006

ClampArt is pleased to announce "Monkey Portraits" by Jill Greenberg, the artist's first solo show in New York City. The exhibition coincides with the release of the Greenberg's wonderful monograph of the same title from Bulfinch Press.

ClampArt, 521-531 West 25th Street, New York, NY 10001 646.230.0020, www.clampart.com

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Arlene Gottfried: Midnight
Oct. 7 - Nov. 18, 2006

During the summer of 1984, American artist Arlene Gottfried met Midnight, a man who became her close confidant and the subject of her photography. Gottfried went on to document the next two decades of Midnight’s life and it is this visual journey of simple yet gripping portraits that forms Midnight, the exhibition, which will be showing at BCA Gallery from 7 October 2006.

At first, Midnight was a handsome and charming companion who danced and performed at nightclubs. But as time passed he began to behave in an increasingly bizarre fashion. Soon after being diagnosed as a paranoid schizophrenic, years of auditory hallucinations, self-mutilation, and other extreme behaviour followed. Despite the ongoing cycles of hospitalisation, jail, counselling, heavy medication, and sudden disappearances, Gottfried stood by her friend. The exhibition is produced in collaboration with Autograph ABP http://www.autograph-abp.co.uk

BCA Gallery, The Gatehouse, Fosterhill Road, Bedford MK41 7TD, UK
+44 (0)1234 273580, bcagallery@bedfordcreativearts.org, http://www.bedfordcreativearts.org

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American Series. Photographs by Neal Rantoul
Oct. 5 - Nov. 18, 2006

Opening and Book signing: Friday, October 6 from 6-8pm
Gallery Talk with the Artist: Saturday, November 11

American Series is a collection of work spanning close to thirty year and covering diverse areas of the country such as Maine, Wyoming and California. Mr. Rantoul’s beautifully printed hardcover book includes a foreword by Joe Deal and an introduction by Jeffrey Hoone. Books will be available for purchase at the gallery the night of the opening. Neal Rantoul’s exhibition features work from the American Series collection and many works on display that have never been previously exhibited until they reached Panopticon.

Panopticon Gallery, 435 Moody St., Waltham, MA 02453
781/647-0100, http://www.panopt.com, gallery@panopt.com

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Peter Moriarty: Cherished Possessions
Oct. 3 - Nov. 4, 2006

In this series of black and white prints, Moriarty portrays the relationship of people to their cherished possessions and inclueds a statement of their innermost feelings. For example, Jacob, one of Moriarty's subjects, explains: "My Paddington bear (Baby) is the only pocession of mine that evolves by its loving disintegration. The physical breakdown (the loss of an eye, a larger tear in the fabric), serves as evidence of countless comfortable nights spent beside me." Moriarty says that Paul Caponigro, after viewing these prints, called them, "the keepers of caring."

Soho Photo, 15 White St., New York, NY 10013, 212/226-8571, www.sohophoto.com

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Kim Ellen Kauffman: Collaborations
October 1, 2006 - November 27, 2006

Over the years I have shared my love of plants and experience of gardening through photography. The work I’ve shown in past Mackerel Sky shows, titled Florilegium, has been the culmination of that expression. The cameraless, filmless collage process I use allows me to build photographic compositions out of disparate parts, not unlike building a garden scene from many plants. I have not been limited by “botanical correctness”, feeling free to combine plants that might not grow together, altering scale or color if the composition called for it, creating a new reality.

Mackerel Sky Gallery, 217 Ann Street, East Lansing, MI 48823
517/351-2211, mackerelsky.com

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Alnis Stakle: Apopsis
Sept. 30 - Oct. 27, 2006

13th International Month of Photography
Art and Literature Center, Dinokratous 35, 106 76 Athens, Greece

http://www.lapas.dau.lv/alnis phone: +371-26366612

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Dresden Reliquary: Photographs by Fredrick Marsh
Sept. 29 - Oct. 27, 2006

Gallery 1401, Media Arts Department, The University of the Arts, 14th Floor, 1401 Terra Building, 211 S. Broad St, Philadelphia, PA 19102

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Kelli Connell, Justin Newhall & Brian Ulrich: MP3: Midwest Photographers Publication Project
Sept. 28 - Oct. 12, 2006

This exhibition presents work by three emerging talents from the Midwestern United States: Kelli Connell, Justin Newhall, and Brian Ulrich. These artists have been selected to inaugurate The Midwest Photographers Publication Project (MP3) series, published by the museum in collaboration with the Aperature Foundation. Each of the artists is profiled in an individual volume containing images selected from their most recent work with essays by Rod Slemmons, Karen Irvine, and Natasha Egan. The artists were chosen for the resonance of their work with current themes in contemporary photographic practice and to represent the quality of work in the museum's Midwest Photographers Project.

New York Event: Panel Discussion, Thursday, Sept. 28th, 6:30pm
Kelli Connell, Justin Newhall and Brian Ulrich
Moderated by Rod Slemmons, Director, MoCP
Aperture Foundation, 547 W. 27th Street, 4th floor, New York City

Closing Reception and Book Signing, MP3
Thursday, Oct. 12, 2006, 5-7pm, Museum of Contemporary Photography

Museum of Contemporary Photography, 600 S. Michigan Ave., Chicago, IL 60605
312/663-5554, www.mocp.org

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Why Look at Animals?: various artists
Sept. 23, 2006 - Jan. 7, 2007

George Eastman House, 900 East Ave, Rochester, NY 14607
585/271-3361, www.eastmanhouse.org

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Charles H. Traub
Sept. 22 - Dec. 2, 2006

An exhibition of Charles H. Traub’s vintage black and white work from the mid 1970’s is on view at Gitterman Gallery until December 2. His work "Indecent Exposure. Photographs from 1980 - 1982" is on view at Daniel Cooney Fine Art through Jan. 6, 2007.

Gitterman Gallery, 170 East 75th St, New York, NY 10021, 212.734.0868, info@gittermangallery.com, www.gittermangallery.com

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Joy Christiansen: Family Gathering: A Look Into the World of Eating Disorders
Sept. 22 - Nov. 17, 2006

The Art Gallery is located on the first floor of the Jim and Janet Dicke Art Building in the Ruth Taylor Fine Arts Center.

Trinity University Art Gallery, One Trinity Place, San Antonio, TX 78212-7200, 210/999-7682

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Jonathan Monk, Barbara Probst, Jules Spinatsch
Sept. 21, 2006–Jan. 8, 2007

New Photography is the annual fall showcase of significant recent work in contemporary photography. This year’s exhibition features three artists from Europe. The Berlin-based British artist Jonathan Monk contributes a series of tongue-in-cheek photographs and two slide projections that play with the idea of falsified documents, interweaving moments of personal history with art history. German artist Barbara Probst experiments with the temporality and point of view of the shot/counter-shot technique of film by presenting multiple photographs of one scene shot simultaneously with several cameras via a radio-controlled release system. The Swiss artist Jules Spinatsch presents a selection of works from his major photographic project Temporary Discomfort—making its New York premiere in this exhibition—which documents the towns of Genoa, Davos, New York City, and Geneva/Evian during the 2001 and 2003 World Economic Forums.

The Museum of Modern Art, Photography Galleries, Third floor, 11 West 53 Street, between Fifth and Sixth avenues, New York, NY 10019-5497
(212) 708-9400, www.moma.org

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Julieve Jubin: Portraits
Sept. 20 - Dec. 1, 2006

University of Houston-Clear Lake, Atrium 1, 2nd flor, Bayou Bldg, 2700 Bay Area Blvd, Houston, TX

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Tripping the Light Fantastic: An Exhibition of Fine Art Photography

From Sept. 20 through Oct. 10, Agora gallery presents Tripping the Light Fantastic in SoHo, 415 West Broadway. The multi-faceted styles and interests of contemporary photographers are on display at Agora Gallery’s annual Tripping the Light Fantastic. The variety of natural forms and soulful vistas captivate the interests of photographers Terry Amburgery, Enrico Cortesano, and Randall Harris; their works often feature the dance of light and reflection.

Beth Parin’s works are visually seductive, incorporating Ansel Adams-style vistas coupled with Surrealist intrigue. Australian photographer, Rebecca Devereaux creates iridescent portraits of plants and flowers by zooming in to remove all traces of context in a celebration of the complexity and elegance of natural forms.

Mirko Angeli and Erique Crusellas Prieto focus their efforts on urban themes and consumer culture, ranging stylistically from the mysterious to the surreal. The most painterly photographer in the exhibition is Christian Egger, his images are starkly reminiscent of the Abstract Expressionists. Egger’s photos are created by working the surface of the photographs with a variety of tools, his favorite being a surgeon’s scalpel.

The photography of T.R. Bishop and Tommaso Leto both center around the inescapable effects of time on ordinary materials. For both artists meaning is imbued solely by the materials being photographed, a stunning visual selection of the struggle between construction and destruction. Nicole Loverso photographs a variety of subjects, some natural and some man-made. By reducing her concept to its most essential elements Loverso allows for multi-layered readings and a meaningful interaction between the audience and her work.

Agora Gallery, 530 West 25th Street, Chelsea, New York
212-226-4151 ext. 207, www.Agora-Gallery.com

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Li Zhensheng: Red-Color News Soldier: Li Zhensheng
Sept. 18 - Oct. 29, 2006

The Cultural Revolution in China (1966-76) remains one of the most complicated political movements of the twentieth century. Almost no visual documentation of the period exsist; that which does is influenced by govenment control over media, arts, and cultural institutions. Li Zhensheng (b. 1940), a photojournalist living in the northern Chinese province of Heilongjiang during the revolution, managed, at great personal risk, to hide and preserve more than 30,000 negatives during the ten-year period. He made images as a party-approved photographer for hte Heilongjiang Daily. This body of work is the only know exisiting photographic documentation of the Cultural Revolution.

For more information on the exhibition: http://www.red-colornewsoidier.com/

Public Reception: Oct, 12, 6-9pm

Center for Documentary Studies at Duke University, Juanita Kreps Gallery , 1317 W. Pettigew, Durham, NC 27705
919/660-3663, http://cds.aas.duke.edu

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Wendel A. White: Pictures from a New World. An African American Village in Israel
Sept. 18 - Oct. 14, 2006

The photographs in this project were made in the "Village of Peace" community in Dimona, Israel. The community was established nearly 40 years ago by the African Hebrew Israelites, a group of black Americans, mostly from the Chicago area. They left the U.S. in the late 1960's, lived in Liberia and finally settled in Israel's Negev desert. The images in this portfolio depict various aspects of life in the community; portraits, business, education, architecture, healthcare, music, and play. This project is an extension of White's earlier works including "Small Towns, Black Lives: African American Communities in Southern New Jersey" and "Schools for the Colored: Up-South, Between the Mississippi River and the Atlantic Ocean."

Richard Stockton College Art Gallery, Pomona, NJ, 609-652-4214,
www.stockton.edu/artgallery

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Ernest H. Brooks II: Silver Seas: A Retrospective
Sept. 16 - Nov. 28, 2006

The International Photography Hall of Fame & Museum, Main Gallery, 2100 NE 52nd St, Oklahoma City, OK
405/424-4055, www.thesilverseas.com

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Annette Fournet: Sticks, Stones & Bones. Images from Transient Landscapes
Sept. 16 - Oct. 21, 2006

Opening Reception: Friday, Oct. 15, 5-7:30pm
Artist Gallery Talk: Wednesday, Oct. 11, noon

Annette Fournet's haunting photographs of Eastern and Central Europe's countryside exemplify the Czech litost. While this world has no exact translation, Czech author Milan Kundera defines litost loosely as "a feeling as infinite as an open accordion, a feeling that is the synthesis of many others: grief, sympathy, remorse, and an indefinable longing." Fournet captures the stark beauty of the region in the imperfectly made scarecrows, simply constructed with sticks, twine, and other gathered materials. The landscape is presented in a hazy monochrome. Fourteen images displayed online at www.photomediacenter.org demonstrate that change is inevitable, things transform or decay, are lost, and are swept away by death and evolution.

Also featured at the Photomedia Center, Online Gallery
www.photomediacenter.org

Art Museum, University of Memphis, 142 Communication Fine Arts Bldg, Memphis, TN 38152
901/678-2224, www.amum.org

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Inaugural Exhibition: John Albok, Stuart Allen, Keith Carter, Bill Owens
Sept. 16 - Nov. 4, 2006

PDNB Gallery (Photographs Do Not Bend Gallery) will open September 16th in their new, spacious gallery! The new address will be 1202 Dragon Street, Suite 103, in the Design District. This inaugural exhibition will celebrate the new location as well as kick off the new season. Artists featured in this inaugural exhibition will be Stuart Allen, a new artist from Texas in our stable, Keith Carter, Bill Owens and John Albok.

Photographs Do Not Bend Gallery, 1202 Dragon Street, Suite 103, Dallas, TX 75207, www.photographsdonotbend.com

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Extended Remix
Sept. 15, 2006 - January 2007

Museum of Contemporary Art in Denver

Patti Hallock, http://www.pattihallock.com

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Tropicalisms
September 14, 2006 - January 14, 2007

This exhibition asks fundamental questions about the tropical landscape and how contemporary artists have used it in their work, either to subvert common (mis)conceptions or simply quote this scenery as part of an everyday experience. Exploring the history of the colonization of the New World as a land of savage and unexpected beauty, this exhibition rejects utopian visions of the tropical landscape that continue to mark their presence in contemporary tourist literature. Instead, artists explore the difficulties inherent in the development of this problematic reading of the tropical landscape. Featured artists are: Manuel Acevedo, Matías Aguilar, Elia Alba, Adriana Arenas, William Armbruster, Nicole Awai, T