| Artist |
Information |
| Barry
Anderson |
Hybrid Practices: From Photography
to Video
(Michael Ensdorf with Stephen Komp and Vagner Whitehead) |
 |
Barry Anderson teaches courses in video,
animation, and interactivity at the University of Missouri-Kansas
City. He has shown his work nationally in New York, Chicago, San
Francisco, Philadelphia, and Houston, and internationally in England,
Russia, Brazil and Thailand. He received his MFA from Indiana
University, Bloomington.
Barry had to cancel and will not be attending the conference. Vagner Whitehead will be included on the panel instead.
Image: A Menagerie: Dust Bunnies, 2005, 35-channel audio installation (Beth Allison Gallery, Kansas)
back to top
|
| Tom Ashe
|
Digital
Color Management in Contemporary Photography Seminar |
 |
Tom P. Ashe is a photographer, consultant, and adjunct professor at the School of the Visual Arts. He received his BS from RIT and his MS from RMIT University in Melbourne. His fifteen years of industry experience have included positions with Eastman Kodak, Monaco Systems, Itek Optical Systems, and Polaroid.
Image:Untitled, Kings Canyon, Northern Territory, Australia, 2000
back to top
|
| Roberto Bocci |
New Media and Photography; Inside/Outside
Academia
(E.
Brady Robinson with Roberto Bocci, Kristen Hileman, Dean Kessmann and John Pickel) |
 |
Roberto Bocci is a multimedia electronic artist
born in Italy. Over the past twenty years his work has evolved from painting
through photography to computer-driven interactive installations.
His artistic concerns encompass multiple points of view and questions
of personal and social identity. Roberto's work includes multimedia
installations, photographs and CD-ROMs.
Image: Simone
back to top
|
| Christa
Kreeger Bowden
|
Scanner As Camera (Christa
Kreeger Bowden with Ruth Adams, Darryl Curran and Maggie Taylor) |
 |
Christa Kreeger Bowden holds an MFA in Photography
from the University of Georgia and a BA in Photography and film
communication from Tulane University. She most recently served
as assistant professor of photography at Southampton College of
Long Island University, and was a 2005 nominee for the Santa Fe
Prize for Photography.
Image: Mermaid II, 2004, inkjet print, direct body & object scans, 16.5 x 18”
back to top |
| Caroline Burghardt |
The Shared Moment in Post-Directorial
Photography
(Rebecca
Sittler with Caroline Burghardt, Adam Lampton and Lyssa
Palu-ay) |
 |
Caroline Burghardt’s photographs investigate
adornment and socialization as reflections of cultural constructs
and constraints. She examines interior spaces (mental and physical)
as the loci of sociological identity, psychology and personal
history. She received a BFA from Bard College and an MFA in photography
from Massachusetts College of Art.
Image: Guest Bathroom, 2003
back to top
|
| Javier
Carmona |
Epic Photography, Revisited |
 |
Working in narrative media, Javier Carmona heads the photography curriculum at Dominican University. His recent solo exhibitions include Galería La Masmédula in Mexico City and Tres50 in Chiapas. His work was featured in the first volume of Contemporary Chicana and Chicano Art. Carmona received his MFA from the University of New Mexico in 1997.
Image: ejemplo cotidiano, 2005, digital chromogenic print
back to top |
| Beau
Comeaux |
It's Blurry, Isn't That Art? |
 |
Beau Comeaux will complete
his MFA at the University of North Texas in May 2006. He was born
in Baton Rouge, Louisiana where he received his BFA in Studio
Art from Louisiana State University and continues to photograph
and explore the world with childlike abandon.
Image: 26 from the Walking series, 2005, pigmented ink print, 14 x 20”
back to top |
| Ruth
Dusseault |
Watching Place-Making: Atlantic Steel
Redevelopment Project |
 |
Ruth Dusseault is currently Artist-in-Residence
at Georgia Tech’s College of Architecture. Her photography
explores the relationship between architecture and utopianism.
She has lectured at the Carnegie Museum, High Museum and Michael
C. Carlos Museum. Dusseault contributes to Art Papers magazine and curates touring exhibitions that intersect art and
architecture.
Image: Plaza, 2005, Watching Place-Making: Atlantic Steel Redevelopment Project 1999-present, 24 x 30” C-prints
back to top
|
| Michael Ensdorf |
Hybrid Practices: From Photography
to Video
(Michael Ensdorf with Barry
Anderson and Stephen Komp) |
 |
Michael Ensdorf teaches photography at Roosevelt
University in Chicago. His work was included in the exhibitions
Iterations at ICP in New York, and Photography after Photography,
which toured museums in Europe and the United States. He received
his MFA in photography from the University of Illinois at Chicago.
Image: Crosswalk series, #1, video still, 2004
back to top
|
| Carol Flax |
Change and Resistance: A Personal
Report on Changing Photographic Practice |
 |
Carol Flax has exhibited work at
the XXV Bienal de São Paulo, the George Eastman House,
LACMA and ICP. Her work has been published internationally and
is in the collections of the CCP and the Seattle Art Museum among
others. Her explorations of evolving technologies have been supported
by numerous grants and by pioneering institutions such as Institute
for Studies in the Arts and Banff New Media Institute.
Image: 3 Sisters, 1997, archival ink jet print, 90x40"
back to top
|
| Jonathan
Gitelson |
Promotion, Advertising and
Branding: New Trends in Chicago Photography (Jonathan
Gitelson with Matt Siber and Brian Ulrich) |
 |
Jonathan Gitelson completed his MFA at Columbia
College in 2004 and has exhibited throughout the United States
and Canada. His work is in various collections including The Museum
of Modern Art, New York and The Whitney Museum.
Image: Excaliber
back to top
|
| Carol
Golemboski |
Psychometry |
 |
Carol Golemboski is an Assistant Professor
of Photography at The University of Colorado at Denver. She has
received fellowships from the New York Foundation for the Arts,
the Virginia Museum of Fine Arts, the Saltonstall Foundation and
Light Work. Her work can be found in numerous private and public
collections.
Image: Bending Spoons, 2004, toned gelatin-silver print, 17 1/4 x 17 1/4”
back to top
|
| Mary
Goodwin |
Auto Obscura: The Car Nation |
 |
Mary Goodwin has a BA in German Literature
from Mount Holyoke, South Hadley, Massachusetts, and a BFA in
photography from Herron School of Art, Indianapolis, Indiana.
She currently lives and works in Albuquerque, New Mexico, where
she is studying for her MFA at the University of New Mexico.
Image: Auto Obscura: Henry, 2005, archival pigment prints, 30 x 30”
back to top
|
| Peter
HappelChristian |
Brief Notes on Existence |
 |
Peter HappelChristian lives in Tucson, AZ
where he teaches at the University of Arizona and Pima Community
College. He exhibits his work both locally and nationally and
holds a BFA in Photography from the University of Iowa and an
MFA in Photography from the University of Oregon.
Image: dustcloud8, Photogram of a dust clump, from the artist book series, Brief Notes on Existence, 2004-05, cyanotype print, 4x5"
back to top
|
| Douglas
Holleley |
On the Reading of Images |
 |
Douglas Holleley is the author of Better
Things (Clarellen, 2005). His previous book Digital Book
Design and Publishing (Clarellen, 2001) is widely used as
a photography text. Holleley holds a PhD from the University of
Sydney and an MFA from the Visual Studies Workshop, Rochester,
NY, where he now teaches.
Image: Better Things Plate 2a and 2b, diptych, ink (jet) on paper, 6.25x8.25 inches (each image)
back to top
|
| Vid Ingelevics |
Towards a New Pluralism: Research
and Collaboration in Canadian Photographic Practices
(Nina
Levitt with Katherine Knight, Vid Ingelevics and Robert Bean) |
 |
Vid Ingelevics is Associate Professor in the
Faculty of Art at the Ontario College of Art & Design, Toronto.
He teaches in the areas of Photography, Criticism and Curatorial
Practice and in Design. His writing, curatorial projects and artwork
have been published and exhibited extensively across Canada and
in Europe.
Image: Victoria and Albert Museum #1, 2005
back to top
|
| April Katz |
Photography and the New Genetic Pluralism |
 |
April Katz earned her MFA from Arizona State
University in 1988. She’s an associate professor of printmaking
at Iowa State University. Katz is currently president of the Southern
Graphics Council. She has an extensive exhibition and grants record
and was featured in Carol Pulin’s 2001 Contemporary Impressions
article, “April Katz.”
Image: Myriad Anomalies, 2005, Lithograph, 10 x 10”
back to top
|
| Jyl
Kelley |
Pinholes: Stitching Time Together |
 |
Jyl Kelley practices imitative magic and
photography. She is currently a Masters of Fine Art candidate
at the University of New Mexico, expected to graduate in 2006.
Most recently she has exhibited video animations of pinhole photographs
in Istanbul Turkey, New Zealand and New Mexico.
Image: Single image from animation sequence entitled Magician at Church, 2005, digital print from scanned pinhole negative
back to top
|
| Dean Kessmann |
New Media and Photography; Inside/Outside
Academia
(E.
Brady Robinson with Roberto Bocci, Kristen Hileman, Dean Kessmann and John Pickel) |
 |
Dean Kessmann received an M.F.A. from Southern
Illinois University in 1996. He has exhibited his work throughout
the U.S. and has taught photography at a number of institutions.
Presently, Kessmann is assistant professor of photography at The
George Washington University. Conner Contemporary Art in Washington,
DC, currently represents his work.
Image: ARTForum, December 2003 (front), 2004 from Cover to Cover series, Digital Pigment Prints
back to top
|
| Katherine Knight |
Towards a New Pluralism: Research
and Collaboration in Canadian Photographic Practices (Nina
Levitt with Katherine Knight, Vid Ingelevics and Robert Bean) |
 |
Katherine Knight is Associate Professor of Visual
Arts at York University, Toronto. She teaches and carries out
research related to still and moving images, landscape and cognition.
Knight received the Duke and Duchess of York Prize in Photography
in 2000. She has exhibited extensively in solo and group shows.
Image: La Poleon, 2001, digital print, 29 x 29"
back to top
|
| Stephen Komp |
Hybrid Practices: From Photography
to Video
(Michael Ensdorf with Barry
Anderson and Stephen Komp) |
 |
Stephen Komp teaches photography and video art
at the State University of New York at Fredonia, New York. He
received a Bachelor of Science degree in photojournalism from
the University of Southern Mississippi, and a MFA in photography
from the Savannah College of Art and Design.
Image: Carrousel, 2005, still from digital video
back to top
|
| Morgan Konn |
The Allure of Being Desired
(Adrienne Pao with Dore Bowen, Morgan Konn, Robin Lasser, Melanie Pullen and Erin
V. Sotak) |
 |
Morgan Konn is an MFA candidate at San Jose State
University. Her self portraits are a record of private performances
in domestic spaces. She employs digital and traditional tools
to exaggerate, deform and reorganize multiple images into a single
image. Her work has been exhibited nationally and in China.
Image: Chair Stretch, 2004, inkjet print, 18 x 24”
back to top
|
| Julieanne Kost |
Adobe
Seminar: Mastering Adobe Photoshop CS2 |
 |
Julieanne Kost combines a passion for photography with a mastery of digital imaging techniques. Using her degree in psychology, Kost finds the raw components of visual emotion within herself. She often explores images she finds disturbing: textures, structures, colors and even her own skeletal system are all ingredients in her work. Julieanne has worked for Adobe Systems for 12 years and now serves as the Digital Imaging Evangelist. She frequently teaches Adobe Photoshop workshops in fine art venues, and at prominent industry events and conferences around the world. The author of the Photoshop Fundamentals and Advanced Photoshop Techniques training DVDs published by SOftware Cinema, she is cofounder of adobeevangelists.com.
Image: Dead On, 2005, digital illustration, 24 x 24”
back to top
|
| Steven
Krutek |
Photography's History of Plurality |
 |
Steven Krutek is a photography MFA candidate
at the University of Montana. He studied fine arts at Colorado
College and photography with Stuart Klipper of Minneapolis, at
the SALT Institute for Documentary Field Studies, and with Dan
Burkholder. His current work combines alternative photographic
techniques, digital applications, printmaking, and painting.
Image: Fruitless Extraction, 3/2005, van Dyke print/silkscreen print/mulberry paper on wood, 16 x 18"
back to top
|
| Nina
Levitt |
Towards a New Pluralism: Research
and Collaboration in Canadian Photographic Practices
(Nina
Levitt with Katherine Knight, Vid Ingelevics and Robert Bean) |
 |
Nina Levitt is an artist working in photography,
video and interactive technologies. She has exhibited across Canada
and in the US and the UK, and her work has been widely published.
She is assistant professor of visual arts at York University,
Toronto where she teaches photography and installation.
Image: Archive folder of service records: Violette Szabo, Public Records Office, London, Enlgand, 2004
back to top
|
| Jawshing
Arthur Liou |
Blood Work series, High-definition
video installations, 2003 to present |
 |
Arthur Liou worked as a journalist in Taiwan
before coming to US the United Stated in the early ’ 90s.
Over the past decade, his work has gravitates gravitated toward
the increasingly personal issues of media experience, ethnicity,
food, and illness. His work was exhibited internationally in New
York, Chicago, Houston, Atlanta, Sweden, Brazil, and Argentina. He is the recipient of the 2006 Garry B Fritz Imagemaker Award at the SPE conference.
Image: Still from Hairline, 2003, high-definition video, surround sound, 11 min loop
back to top
|
| Michael
Marshall |
Natural Histories: Narratives in
Science and Personal Experience |
 |
Michael Marshall is an exhibiting
artist from Athens, Georgia. He has degrees in Physics as well
as Studio Arts and completed his MFA in Photography at Arizona
State University, 2000. He is currently on the faculty at the
University of Georgia. His work is represented by the Krause Gallery
in Atlanta.
Image: Lunar Cycle, 2005, pigment print on wood panel, 72x43”
back to top
|
Alexander
Mouton
& Christian Faur |
Ethereal Landscapes |
 |
Alexander Mouton's artistic interests
lie in the poetic and narrative possibilities of sequencing images.
His artists' books are in collections internationally. Alexander
extends his work through time and sound based projects creating
net art, interactive video installations, and live multimedia
performances. Alexander is Assistant Professor of art at Denison
University.
Christian Faur’s primary medium is oil
on canvas and encaustic on wood, where he layers images of the
human form with texts and numeric patterns. His involvement with
digital technologies has led him to work with photography, video,
computer programming and robotics. Christian is Digital Media
Technologist at Denison University.
Image: Alexander Mouton, Silhouette (full page spread)
back to top
|
| Lyssa
Palu-ay |
The Shared Moment in Post-Directorial
Photography
(Rebecca
Sittler with Caroline Burghardt, Adam Lampton and Lyssa
Palu-ay) |
 |
Lyssa Palu-ay is currently an Assistant Professor
at Massachusetts College of Art. Her work consists of black white
photographs of organic and inorganic forms abstracted to feel
simultaneously microscopic and macroscopic. She is also an artist
in residence at the Rubin Museum of Himalayan Art in New York
City.
Image: Untitled
back to top
|
Adrienne Pao
and Robin Lasser |
The Allure of Being Desired
(Adrienne Pao with Dore Bowen, Morgan Konn, Robin Lasser, Melanie Pullen and Erin
V. Sotak) |
 |
Robin Lasser is a Professor of Art at
San Jose State University. Lasser produces photographs, video,
site-specific installations and public art dealing with socially
significant themes. Lasser often works in a collaborative mode
with other artists, writers, students, public agencies, community
organizations, and international coalitions to produce art and
promote public dialogue.
Adrienne Pao recently graduated with her MFA
in Photography from San Jose State University. She is currently
working on a series of Hawaiian Cover-ups and the collaborative
series, Dress Tents, both projects investigating notions of tourism
and travel in fantasy landscapes. Pao is adjunct faculty at Modesto
Junior College.
Image: Adrienne Pao & Robin Lasser, Picnic Dress Tent, 2005, lightjet print, 30 x 36”
back to top
|
| John Pickel |
New Media and Photography; Inside/Outside
Academia
(E.
Brady Robinson with Roberto Bocci, Kristen Hileman, Dean Kessmann and John Pickel) |
 |
John Pickel received an MFA from Cranbrook Academy
of Art, 1986. He was visiting assistant professor at Herron School
of Art/IUPUI from 1986-89 and visiting assistant professor at
NC State University from 1993-1997. He is currently an Associate
Professor of Art at Wake Forest University. John exhibits installations
throughout the U.S.
Image: (title unavailable)
back to top
|
| Melanie Pullen |
The Allure of Being Desired
(Adrienne Pao with Dore Bowen, Morgan Konn, Robin Lasser, Melanie Pullen and Erin
V. Sotak) |
 |
Melanie Pullen is a self-taught photographer.
She recently published her series High Fashion Crime Scenes. Pullen’s
been spotlighted in the New York Times Magazine, ELLE, Nylon,
Vogue, etc. and her work is in museums worldwide. She shoots
regularly for magazines like Flaunt and Rolling
Stone. Melanie currently lives in Los Angeles.
Image: Nina (Hanging Series), 2005, c-print face mounted with plexi glass, edition of 5, 70 x 93”
back to top
|
| Susana
Reisman |
Inside Out |
 |
Susana Reisman was born in Caracas, Venezuela
in 1977. She earned her Bachelor of Arts degree in economics from
Wellesley College and her Master’s of Fine Arts in photography
from the Rochester Institute of Technology, where she is currently
teaching.
Image: Photosculpture [azul], August 2004, lambda print, 10 x 10”
back to top
|
| E.
Brady Robinson
|
New Media and Photography; Inside/Outside
Academia
(E.
Brady Robinson with Roberto Bocci, Kristen Hileman, Dean Kessmann and John Pickel) |
 |
E. Brady Robinson, M.F.A. Cranbrook Academy of
Art, 1996. Installation, digital and photography work has been
exhibited nationally including, Aspen Art Museum, Florida State
Art Museum and Corcoran Gallery of Art. Currently is Assistant
Professor of Art in the MFA in Studio Art and Computer Graduate
Department at University of Central Florida, Orlando.
Image: Traces of the Italian Landscape, 2005, digital print, 13 x 19”
back to top
|
| Wilka Roig
& Tarrah Krajnak |
Photography, Performance & Subjectivity |
 |
Wilka Roig is an artist and educator
based in Ithaca, NY. She was awarded the 2003 Light Work Grant
and received her MFA in Photography from Cornell University. A
Puerto Rican overseas, she explores issues of identity, performance,
and the physical, emotional and psychological space in which these
issues develop.
Tarrah Krajnak, born in Lima, Peru, is currently
a Visiting Professor at University of Notre Dame. She received
her MFA in 2004 and her current projects include video performances
that examine the role of signifiers in the creation of identity
and digital constructions addressing memory and familial history.
Image: Kaite 4, 2005, c-print mounted on aluminum, 31.75 x 24"
back to top
|
| Matt Siber |
Promotion, Advertising and
Branding: New Trends in Chicago Photography (Jonathan Gitelson with Matt Siber and Brian Ulrich) |
 |
Matt Siber completed his MFA at Columbia College
in 2003 and has exhibited throughout the United States and Europe.
His work is in the permanent collections of The Art Institute
of Chicago and the Museum of Contemporary Photography.
Image: Denny's, 2005
back to top
|
| Rebecca
Sittler |
The Shared Moment in Post-Directorial
Photography
(Rebecca
Sittler with Caroline Burghardt, Adam Lampton and Lyssa
Palu-ay) |
 |
Rebecca Sittler is an Assistant Professor of
Art at University of Central Florida in Orlando. Her photographs
use elements of performance and conceptual art alongside visual
sensibilities borrowed from the history of still life painting
and the aesthetics of her Mid-western upbringing. She was recently
awarded a 2006 Florida Artist Fellowship.
Image: The Lovers, c-print, 2002
back to top
|
| Maggie Taylor |
Scanner As Camera (Christa
Kreeger Bowden with Ruth Adams, Darryl Curran and Maggie Taylor) |
 |
Maggie Taylor is a digital artist who received
her BA in philosophy from Yale University and her MFA in photography
from the University of Florida. In 2005 Peachpit Press published
a book on her work entitled "Maggie Taylor's Landscape of
Dreams."
Image: Subject To Change, 2004, inkjet print, 15x15”
back to top |
| Brian Ulrich |
Promotion, Advertising and
Branding: New Trends in Chicago Photography
(Jonathan Gitelson with Matt Siber and Brian Ulrich) |
 |
Brian Ulrich completed his MFA at Columbia College
in 2004 and has exhibited widely (recently at The Museum of Contemporary
Art in Chicago and The Art Institute of Chicago). Brian is a frequent
contributor to Adbusters Magazine.
Image: Kenosha, WI, 2003
back to top
|
| Jeffrey
A. Wolin |
Inconvenient Stories: Vietnam War
Veterans Portraits and Text |
 |
Jeffrey A. Wolin is Halls Professor of Photography
at Indiana University. His portraits of Holocaust survivors, Written
in Memory, was published by Chronicle Books, accompanying
solo exhibitions at the Art Institute of Chicago and ICP. Wolin
is the recipient of two NEA Fellowships and a Guggenheim Fellowship.
He is represented by Catherine Edelman Gallery in Chicago.
Image: Michael Rosensweig, image courtesy of Catherine Edelman Gallery, Chicago
back to top
|